The Creepshow

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[[Creepshow1{{!}}The Creepshow]]
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Currently

Star Thistle

Known As

Esmeralda Cortez
Ramona
Maria de Guadalupe (Lupe) Hargreave y Orzibal, AKA Bella Muerta
Maxine Rodriguez
Gran Brigitte
Dr. Madeleine Moreau
Star Thistle
Arachne

on MUX as

The Creepshow

Has Been

Grotesque Photographer
Exotic Entertainment Synthetic
Second of the Widows
Makeup and FX Artist
Runs the Cooch Tent
Forensic Scientist
Creepy Goth Kid
Organic Mechanic

Apparent Age

20s

Played By

Amandla Stenberg
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Want to see a monster?

Look in the mirror. You try to hide it, to keep it secret or push it down, but it's there. It's always there.

I'm the freak, the leper, the monster, and I wear it for all to see. I show you that you're too comfortable. Too complacent. We're the monsters, and what we do to each other is worse than any horror movie. I peel back the skin, reveal the truth, spill its entrails.

Come closer. You want to see something really scary?

Archetype Roster Concept 



You revel in the strange and unusual because you yourself are strange and unusual. You're fascinated by the things that give others nightmares, which can be good or bad depending on the situation.



In the Facility

Facility Persona

While many of those in the facility cling to who they were in each story, Creepshow says she feels like she skins someone and wears them as a suit. In the facility it falls away, and what's left is who she really is. Who is that? She has no idea, but she's impulsive, even self-destructive, and she pushes buttons at every opportunity to try and make others question their sense of identity.

Recently she's been struggling with this philosophy, with keeping her many lives at bay. Blocking them out or refusing to integrate them is taking a toll as it leaves only the impulses of the archetype, and she's increasingly coming to hate herself. Something has to give, or she'll self-destruct more and more.

Things That Linger

Runty: Creepshow is always short, never taller than 5'3, often around 5' even.

Filthy Fucking Mouth: She tends to swear. A lot. Some incarnations are worse than others.

Ageless: While she's always youthful in appearance, she often has an 'old soul' feeling to her.

Seen Some Shit: Her incarnations are rarely naive or sheltered. She's usually been through hard times and has her scars.

The Creepshow's Door

A naked young woman, arms crossed at the wrists above her head in a languid pose, her body covered in tattoos and piercings. All around her at her feet are body parts and gore.

The Creepshow's Room

Her room is no longer insanity. At least, not at first. Now it's more of a slow, creeping madness.

The floor is bare concrete splattered with dried blood. The walls are red, the ceiling black. The photos on the walls are all blurry and out of focus, streaked with light and shadow. Too vague to make any sense out of, one has to stare at them a moment for things to take form, dread sinking in as they do. You have to look away. Not that. Anything but that. The image fades from memory in a matter of seconds, but the dread lingers.

Furniture! Yes, there's furniture in The Creepshow's room, and one might even notice it after staring at all the photos. It's classy, elegant, but likewise disturbing. Wrought iron and velvet, skulls and glass and human bone. Elvira would approve.

Memento Mori

Isle of Dread

Camera

Alien Mutation

Small black clutch

Prosperity's Price

Twin bone-handled six-shooters

Slasher

Severed head prop

Carnival

No memento mori from this story yet.

Project Icarus

No memento mori from this story yet.

Bonds of Blood

No memento mori from this story yet.

The Last Road

No memento mori from this story yet.


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Previous Played By

Ursula Corbero. Original PB of Creepshow1, used from Isle of Dread through Slasher. Switched in the Facility before Carnival.

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Gallery

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Partner in Death

We keep dying together. Sometimes we love each other. He helps keep me sane in this place.

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(Se)bastian

Somehow, some way, we found each other. Maybe he can help me find myself, too.

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Friend and Sister

She was Ramona's first, real friend. Then she was Bella's big sister. She always tries to do the right thing, even when it's hard.

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Strange Like Me

We were sisters of a sort as synthetics, then by blood as Hargreaves. Like me, she's skewed, warped by this place.

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My Favorite Vegetable

I'm sorry I called her a turnip. She tries, and she lets me be me.

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My Handsome Killer

We haven't spoken much since I let him kill me in the early days of this place. He seems to come out of each life attached to someone new.

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Sam Hain (Alien Mutation)

Bartender
Sam is the bartender for Total Eclipse - the 'adult cabaret' run by Venus where any of the entertainers can be had for a price. He's been there ever since the club opened, and has been tending bar across the stars almost all of his life. He's adopted Ramona as a surrogate daughter, looking out for the strange Synthetic girl and keeping her out of trouble. For the most part.

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Ramon (Alien Mutation)

Exotic Entertainment Synthetic
Ramon is another of the rare Ramon/Ramona series of Synthetics, and the closest thing to a sibling that Ramona has. His presence at Total Eclipse on the Noc was a major part of why she chose there after being cut loose. They are very different, with Ramon being a suave, sophisticated sort much more used to 'being human' than Ramona is. He would definitely be the older/bigger brother were they actual siblings.

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Xavier Santos (Slasher)

Film Student - Wardrobe and Hair
Xavi is Max's shadow, the two almost always together. He's also one of the few people who she doesn't snark at, having done whatever epic feat it takes to get through her barrier of bullshit. She trusts him implicitly. He's very openly gay, but they often call each other 'the husband' and 'the wife'.

Xavi, himself, can have quite an attitude. He's as sharp and snide as Max is at times, but not as a default or way of life. Most of the time he's more aloof and clinical, a real perfectionist often absorbed with his art. In any case, he never minces words and always says exactly what he thinks.

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Sam the Piano Man (Carnival)

Piano Man (Cooch Tent)
Piano man for the cooch tent, one of Bree's believers.

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Nightshade (Carnival)

Prostitute
Working girl and one of Bree's believers.

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Levi Freeman (Carnival)

Bouncer (Cooch Tent)
The main bouncer in the cooch tent, and one of Bree's believers.

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Esmeralda Cortez (Isle of Dread)

She's always been more comfortable in the shadow than the light; more comfortable seeing then being seen. She knows beauty when she sees it and longs for it as anyone else, but she sees what happens in the real world: beauty fades, beauty is broken. She's a photographer, and some of her photos sell well -- the Cemetery Series in particular. She has lately taken to photographing life and interposing death upon it: between filters and photomanip in Photoshop, the living are dead walking in her art. Why? It makes people think. It shocks people.

She tries to capture the truth in anything horrible and preserve it, because she knows the truth of horror is that the world is horrible, no matter what. If you want hope? You need truth, first. Then you can have hope. Blindness is for the weak.

She's reasonably famous, makes a solid living, but her fame-niche is a bit extreme: she's come to this island to find the darkness in the wilds, because she fully expects it'll be there.

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Ramona (Alien Mutation)

You are one of the rare Ramon/Ramona series of Synthetics produced by Weyland-Yutani for the niche market of 'Synthetic Companions', personal playthings for the wealthiest of consumers. Your buyer was a freak and a right bastard, regularly 'killing' you during his fun. It gave you a very skewed perspective of what sex, love, violence and affection are, and it ultimately bit him in the ass when he accidentally asphyxiated himself and you let him, thinking he was showing you just how much he loved you. His daughter inherited everything and wanted no part of Dad's twisted sex toy, so she cut you loose.

You wound up on Tenochtitlan Station, employed at Eclipse as an exotic entertainer. It took some adjusting after the extreme parameters you were used to, but you're slowly settling in and learning more about humanity beyond your limited and warped experiences. There's absolutely no hiding what you are, though - Synthetic - as you're really weird even for one of them.

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Maria de Guadalupe (Lupe) Hargreave y Orzibal, AKA Bella Muerta (Prosperity's Price)

You're a Hargreave by right and blood, even if you're made to go by Orzibal - your mother's last name. Like most of Jack's bastard offspring, everyone knows you're his but you have no official standing in the family. The Orzibal family is Blood, too, but they don't have a use for more daughters, so there was never any future for you there, either. You decided to forge your own path.

You joined the Widows young and have been riding with them since you were fourteen. Now nearing twenty-five, you're second in the ranks and the designated monster of the gang: anything that needs done, you do. You long ago stopped pretending that you were headed anywhere but Hell, and you've sold every last ounce of yourself for the power necessary to beat the Devil at His own game. Your guns are infernal relics given to you by a demon and cause you to suffer wounds when you use their power to rend the souls of their victims. You call them the Stigmata Sisters, Mercy and Vengeance.

You revel in the darkness that surrounds you, painting your face like a skull, dressing in black and acting every bit the monster you've become - to hunt monsters you became a monster - but underneath it all is the lonely girl that never fit into either family and simply wants to belong. You've found your place with the Widows, and you'll stop at nothing to protect them.

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Maxine Rodriguez (Slasher)

Born in San Diego, raised mostly in Guadalajara, she's always felt like she doesn't fit into either American or Mexican culture. The only real culture she has, then, is film - movies are her life. She's a font of endless movie trivia, has a special affection for bad B movies and horror flicks, and doesn't have a ladylike bone in her body. She's vulgar, crass and crude, and those are her good qualities. Max is sharp but not book smart, creative but in disturbing ways, attractive but largely unlikable - a snarky bitch. It's probably all rooted in deep self-esteem and/or Daddy Issues, but she doesn't let anyone get close enough to really find out. She fancies herself a LaVeyan Satanist and wears a Sigil of Baphomet necklace.

She's attending Cal Arts as a Senior, about to finish her BA in Film with an emphasis on Artistic Design. She can do everything from makeup and hair to blood and practical effects, including prosthetic and robotic effects. She hates the pioneering field of computer effects because she feels it has no soul. She and the rest of her crew are at the lodge over Summer before their senior year to make their senior film, which she was told would be a horror movie. As such, she's come with lots of props and toys that can be used to create all sorts of mayhem.

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Gran Brigitte (Carnival)

Coming to America

Gran Brigitte was born in America. Her beginnings are a mix of poor Irish women sold into servitude alongside the slaves in Louisiana, where Voodoo was just starting to solidify. The Irish girls brought their gods and their poppets - little dolls that would one day become known as voodoo dolls - and one of the biggest goddesses-turned-saints they spoke of was Brigid. The African slave women wove a little bit of everything together - including Brigid - and Gran Brigitte was born. Some say that unlike the other Loa she was white. Others say not. Gran Brigitte, therefore, often appears as a young woman of mixed race.

She's fortunate in that she has followers out there to this day, unlike so many of her peers, but the slave owners did what they could to stamp out the native religions of their stock, and the rise of evangelical Christianity isn't helping. She's at her best when the carnival is in the deep South.

Madam Bree

She's been with the carnival since its early days, by choice and not necessity. She could have stayed in the South and tended to her small flock, but upon Emancipation some of her people spread out, and so did she. She's had a number of acts in her time - snake charmer, spirit medium, erotic dancer - and she still does some of each even now. She took over the Cooch Tent when Ishtar bailed in '31 to go to Hollywood, and has been running it ever since.

Gran Brigitte, or Mamma Brigitte, or Madam Bree, she answers to any of them. She's the 'house mom' in stripper terminology, the madam in prostitute terminology, and the boss in simple terms when it comes to the Cooch. She manages the talent, sets the lineup of dancers, books the Johnnies for the prostitutes, and makes sure the entire herd of cats doesn't shred itself to pieces. She often still performs, usually a mix of striptease and snake dancing, and still takes occasional appointments to speak to the dead.

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Dr. Madeleine Moreau (Project Icarus)

Penumbra will put up with a lot for genius. Mads is a perfect example. A child prodigy in the bio sciences, she was scooped up by the company fresh out of getting her doctorate at 19. Why does a company dealing primarily with power and energy need a forensics genius? Accidents happen, and so does corporate sabotage. To unravel the truth of an incident that costs the company billions, they want the best, and when it comes to forensics there are few better than Mads.

She's also a moody, morbid, temperamental nightmare. She generally loathes humanity, and the feeling is usually mutual. She wears what she wants, works how she wants, and does what she wants or there's hell to pay. The company has decided it's better to stay out of her way and let her do her thing than it is to try and get her to conform. It causes problems with her colleagues and co-workers when she basically gets away with murder, but having things like hard evidence of W-Y sabotage and being able to force them to compensate the company for vast damages and loses is worth the headaches.

She's on Project Icarus as part of the Investigative mission to determine the cause of the loss of the first mission. Whatever drove them mad and killed them (or made them kill each other) is her highest priority. Secondary is assisting the Research mission in its work in unraveling the mysteries of the asteroid.

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Arachne (The Last Road)

Born the child of raiders out in the wastes, 'Little Bug' as they called her lost her legs from just above the knees down at 6 in an explosion. Most raider gangs would have simply let the child die - a disabled mouth to feed is just a drain on resources - but the Bug was already a prodigy at mechanics, her tiny hands deft and nimble, so they saved her and nursed her back to health. A bit more than a year later, the gang was wiped out in a fight with the Children of War and the children like Bug were taken back to Sanctuary.

Her mechanical skill could have been useful among the Children, and while she's disabled she IS Pure and could have been Fortunate, but it was the Green Man who took one look at her and claimed her for the Savvy. Her ability to adapt and work around her disability impressed him, and her mechanical talents showed an aptitude for learning. He named her Arachne and had her learn medicine along with mechanics and engineering, shaping her into a gifted Organic Mechanic. She's an inquisitive thing, always watching and learning from the world around her.

In her medbay she has a harness that's suspended from the ceiling and can move quickly all about by pulling different chains. It's like she glides through the air on her web. It has a number of extra 'limbs' attached to it, equipped with lights and clamps and other tools to keep her hands free for the important stuff, and further adds to the 'spider' imagery.

Outside of her medbay, she gets around on an old, refurbished 'Tony Hawk' (the only name she knows for a skateboard). While she makes prosthetics for others, she rarely wears them herself - her amputations were rushed and crude, not done with future prosthetic use in mind, and so using prosthetics is painful for her.

Maybe being born to raiders taught her how brutal life can be, or maybe she didn't particularly like them. Whatever the case, she showed none of the resistance and anger often seen in kids of vanquished foes taken in by the Sanctuary. There was no re-programming needed and no adjustment period. She simply made the best of her situation, as she always has.

That's not to say she's sweetness, sunshine and rainbows. Far from it. She's impatient, surly and vulgar, her tongue as sharp as her scalpel. She does everything for herself, rarely asking for help, and heaven help the fool that tries to do something for her. If she's bitter about her disability, hardened from a childhood among raiders, or just a massive cunt, who can say? More than a few War Kids are creeped out by and afraid of her, dangling over them with sharp instruments and a little smirk. No one looks forward to a visit to the Spider's Den.

Unlike most Savvy, she keeps her hair short and dresses in leather and vinyl, more like the Children do.

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Active Character: Slasher

You're dyin' and you're screamin' inside

Oh you're guilty way before you been tried

It's crazy but you're diggin' it

Aerosmith - Young Lust

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Dead-o-rama

It's so hard to be careful, so easy to be led

Somewhere beyond the pavement

You'll find the living dead.

Dancin' at the Zombie Zoo

Tom Petty - Zombie Zoo

2019-08-18
Go Tell Aunt Nancy
(2019-08-18 • Aunt Nancy's) The afternoon before the Bloodletting, hector and silver try to alert Aunt Nancy to the danger.
Cast  •   Silver Luna Thistle  •  Hector de la Huerta  •  The Creepshow  •
2019-07-30
Not Dying Is The Worst
(2019-07-30 • Creepy's Dungeon)
Cast  •   The Penitent  •  The Creepshow  •
2019-03-15
Eat Your Heart Out
(2019-03-15 • Anywhere Room - Kitchen) The Creepshow gives her heart to the Scholar, then they cook and eat it.
Cast  •   The Scholar  •  The Creepshow  •
2019-03-12
Gravy
(2019-03-12 • The Facility - Dining Room) Folks gather for a meal, and Creepy makes someone a gift.
Cast  •   The Pedagogue  •  The Martyr  •  The Rogue  •  The Creepshow  •
2019-03-10
Not George Michael
(2019-03-10 • Parlor) Another gathering in the parlor. Among the topics discussed are movies, music, and whatever happened to our 80s icons.
Cast  •   The Addict  •  The Competitor  •  The Thrill-Seeker  •  The Crusader  •  The Martyr  •  The Creepshow  •  The Optimist  •  The Visionary  •  The Fool  •
2019-03-10
The Pie Table
(2019-03-10 • The Facility - Dining Room) Loner and Caregiver find their old sibling bond of childhood sharing and caring unwittingly intact in new circumstances, which leads to a bit of a vent session, fueled in part by the young woman's curiosities. The Creepshow comes to join and her new form spurs more ruminating and questions.
Cast  •   The Caregiver  •  The Loner  •  The Creepshow  •
2019-03-09
The Other Side of the Mirror
(2019-03-09 • Anywhere Room - Alvord Desert) The Scholar takes the Creepshow somewhere Bastian had intended to take Max.
Cast  •   The Creepshow  •  The Scholar  •
2019-03-09
She I was Seeking
(2019-03-09 • The Scholar's Library) The Scholar and the Creepshow discuss her transformation.
Cast  •   The Creepshow  •  The Scholar  •
2019-03-08
Tomorrow Wendy
(2019-03-08 • Parlor) The Creepshow Returns and The Martyr, Penitent, and Competitor discuss the nature of the facility and other things.
Cast  •   The Creepshow  •  The Martyr  •  The Competitor  •  The Penitent  •
2019-03-08
A Commercial on the Radio
(2019-03-08 • Parlor) Creepshow shows up with a new face, the radio plays an advertisement, people question what this place even is.
Cast  •   The Loner  •  The Creepshow  •  The Rogue  •  The Scholar  •  The Coward  •  The Pedagogue  •
2019-03-08
Death of an Archetype
(2019-03-08 • Pedagogue's Room) The Creepshow gets her wish.
Cast  •   The Pedagogue  •  The Creepshow  •  The Explorer  •  The Penitent  •  The Rogue  •  The Scholar  •  The Coward  •
2019-03-07
Broken Things
(2019-03-07 • Creepshow's Room) Penitent visits Creepshow to ask some questions and try to see how she's doing without acting like she cares.
Cast  •   The Penitent  •  The Creepshow  •
2019-03-07
Life Death and In Between
(2019-03-07 • The Facility - Parlor) A small group gathers in the parlor to chat about life and death.
Cast  •   The Creepshow  •  The Fool  •  The Martyr  •  The Visionary  •
2019-03-07
Alone Again
(2019-03-07 • Creepshow's Room) Pedagogue checks in on Creepy. It goes as well as you'd expect.
Cast  •   The Pedagogue  •  The Creepshow  •
2019-03-06
But I Won't Do That
(2019-03-06 • Creepshow's Room) The Scholar and the Creepshow discuss the prior evening.
Cast  •   The Scholar  •  The Creepshow  •
2019-03-06
Gethsemane
(2019-03-06 • Creepshow's Room) The Martyr sticks his nose where it doesn't belong and faces some dark truths courtesy of the Creepshow.
Cast  •   The Martyr  •  The Creepshow  •
2019-03-05
It's Complicated, Part 2
(2019-03-05 • Creepshow's Room) The Coward and the Creepshow work on coming to an agreement.
Cast  •   The Coward  •  The Creepshow  •
2019-03-05
Glass for The Fool
(2019-03-05 • The Facility - Parlor) A gathering in the parlour, and sudden violence!
Cast  •   The Fool  •  The Visionary  •  The Addict  •  The Coward  •  The Caregiver  •  The Capitalist  •  The Penitent  •  The Martyr  •  The Creepshow  •
2019-03-05
Number Eight
(2019-03-05 • Creepshow's Room) The Creepshow wakes up from death #8.
Cast  •   The Creepshow  •
2019-03-04
Love for Sale
(2019-03-04 • Parlor) Things get real to the music of 1930's biggest hits.
Cast  •   The Optimist  •  The Visionary  •  The Martyr  •  The Creepshow  •  The Competitor  •
2019-03-03
It's Complicated
(2019-03-03 • Creepshow's Room) The Scholar and the Creepshow discuss their situation with the Coward. SPOILER: the Coward doesn't pass out.
Cast  •   The Scholar  •  The Coward  •  The Creepshow  •
2019-03-01
Bittersweet Symphony
(2019-03-01 • Parlor) The Competitor awakes and meets The Martyr and The Creepshow. Later The Penitent turns up.
Cast  •   The Competitor  •  The Martyr  •  The Creepshow  •  The Penitent  •
2019-02-28
Rude Awakening
(2019-02-28 • The Facility - Parlor) The Soldier's first awakening is less than easy; the Addict's, somewhat more so.
Cast  •   The Soldier  •  The Scholar  •  The Creepshow  •  The Martyr  •  The Addict  •  The Confidant  •
2019-02-28
The Heart's Filthy Lesson
(2019-02-28 • Eclipse - Twin Star Observatory) Creepshow introduces Scholar to Ramona.
Cast  •   The Scholar  •  The Creepshow  •
2019-02-25
Seeds
(2019-02-25 • Anywhere Room - Inland Empire) The Creepshow and the Scholar plant some seeds.
Cast  •   The Scholar  •  The Creepshow  •
2019-02-16
So That Was A Thing
(2019-02-16 • Creepy's Dungeon) The Scholar checks on The Creepshow After Slasher
Cast  •   The Scholar  •  The Creepshow  •
2019-02-16
The Violence of Truth
(2019-02-16 • The Facility - Parlor) Creepy and Scholar discover the TV's controversial programming, while Misty tries to help Martyr cope with his first Facility awakening.
Cast  •   The Explorer  •  The Martyr  •  The Rogue  •  The Creepshow  •  The Scholar  •
2019-02-16
Fear and Self-Loathing
(2019-02-16 • Creepy's Dungeon) Creepy and Scholar break down some walls
Cast  •   The Scholar  •  The Creepshow  •
2018-12-16
The Twilight Zone, Without The Fun
(2018-12-16 • The Facility - Parlor) The Coward, the Pedagogue, and the Creepshow talk about why the Facility sucks.
Cast  •   The Creepshow  •  The Coward  •  The Pedagogue  •
2018-12-16
Love Lost
(2018-12-16 • The Facility - Hall of Rooms) The Capitalist and the Penitent learn that Maata was gone, her door symbol changed. This leaves them both to re-evaluate their relationship with one another.
Cast  •   The Creepshow  •  The Penitent  •  The Capitalist  •
2018-12-10
Return of the Creep
(2018-12-10 • The Creepshow's Room) The Creepshow wakes up from Prosperity.
Cast  •   The Creepshow  •
2018-10-04
We Are What We're Not
(2018-10-04 • The Facility - Parlor) The mysterious doors are discussed.
Cast  •   The Hunter  •  The Defender  •  The Competitor  •  The Capitalist  •  The Penitent  •  The Visionary  •  The Creepshow  •
2018-10-03
What Is Your Worth?
(2018-10-03 • Creepshow's Room) The Pedagogue goes in search of his nightlight from the station, and finds a broken Creepshow. Their roles reverse.
Cast  •   The Pedagogue  •  The Creepshow  •
2018-10-02
What is real?
(2018-10-02 • The Facility - Parlor) Things in the facility are a bit more... on edge this time around.
Cast  •   The Loner  •  The Beast  •  The Hunter  •  The Confidant  •  The Defender  •  The Creepshow  •
2018-08-05
Reeling
(2018-08-05 • Parlor) Talk of what is, what was, and the Hunter and the Penitent approach what they could have been.
Cast  •   The Creepshow  •  The Healer  •  The Hunter  •  The Penitent  •
2018-08-05
Fruit Loops
(2018-08-05 • The Dining Room) Several Archetypes converse about the nature of their new reality. A previously unseen Archetype makes a baffling appearance.
Cast  •   The Pedagogue  •  The Survivor  •  The Creepshow  •  The Lover  •
2018-08-03
The Death of an Archetype
(2018-08-03 • Creepshow's Room) The Hunter and the Capitalist have a request for the Creepshow.
Cast  •   The Creepshow  •  The Hunter  •  The Capitalist  •  The Penitent  •
2018-08-03
What Remains
(2018-08-03 • The Parlor) The Beast and the Loner discuss Connor and Andrew and what remains from the island. Cameo by Salvador Dali.
Cast  •   The Beast  •  The Loner  •  The Creepshow  •
2018-08-01
The Survivors Arrive at the Facility
(2018-08-01 • The Facility Parlor) Many new Archetypes appear in the Facility, those of the survivors, thus stirring up confusion on whether they are all dead or alive or what.
Cast  •   The Visionary  •  The Perfectionist  •  The Loner  •  The Confidant  •  The Hunter  •  The Survivor  •  The Beast  •  The Capitalist  •  The Healer  •  The Judge  •  The Heretic  •  The Avant-Garde  •  The Creepshow  •
2018-07-30
Waking Up Is Hard To Do
(2018-07-30 • The Facility) Some of the sacrifice volunteers wake up in the facility, and find others already there, and some things that have changed.
Cast  •   The Avant-Garde  •  The Capitalist  •  The Creepshow  •  The Hunter  •  The Pedagogue  •  The Penitent  •  The Perfectionist  •
2018-07-22
Digging a way out
(2018-07-22 • The Facility) The Archetypes have brunch as they discuss about love, their memories and this prison that they've found themselves in. The Avant-Garde is trying to tunnel his way out through out all of this.
Cast  •   The Avant-Garde  •  The Penitent  •  The Capitalist  •  The Competitor  •  The Hunter  •  The Creepshow  •
2018-07-22
Four New Arrivals
(2018-07-22 • The Facility) After the sacrifice on the island, several new Archetypes show up in the Facility
Cast  •   The Pedagogue  •  The Avant-Garde  •  The Perfectionist  •  The Creepshow  •  The Hunter  •  The Capitalist  •  The Penitent  •
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